Game of Thrones And Elric: The Influence of Michael Moorcock on TV’s Most Popular Show

Why do I love George RR Martin’s Game of Thrones? From the first episode right through to the very end? From the first page of the first volume through to what Martin hasn’t completed yet? I’ll tell you why.
Part of it is why I loved how Game of Thrones closed on the screen. I understood it because I was familiar with the story beats. It’s been told before. To me, Game of Thrones, be it on the screen or the written page – will always be the story of the Young Kingdoms from their point of view.
Who the fuck are the Young Kingdoms, you ask? The young kingdoms were the kingdoms of Man, rising through the ages as our world evolved. They soon overtook the old world of magic and sorcery and elementals, making the earth their own. Sounds familiar, doesn’t it? No, it’s not the back story of Game of Thrones, a Song of Ice and Fire. It’s the setting of veteran author Michael Moorcock’s fantasy novels. The similarities to Michael Moorcock’s fantasy world, best known for Elric of Melnibone and the soul-eating sword Stormbringer, and Westeros are many.
And what’s wonderful is Game of Thrones is the complete antithesis to all things Tolkein and seems to subscribe to Moorcock’s theory of #EpicPooh. It’s almost as if Martin’s been writing this as an answer to Epic Pooh theory all along. According to the theory, stories like Lord of the Rings and Star Wars are flawed. They’re no more than fundamental Winnie the Pooh stories, wherein standard archetypes go on an adventure in the 100 Acre Wood with no real danger. They don’t take into account the real world ramifications of the wars being fought around their stories. There is death in the real world – and it has an effect on people. Subscribers to the theory are pretty grim in their narratives. Moorcock’s stories were nihilistic, designed as the alternative to Conan or The Hobbit. He was killing everybody long before Tarantino or Martin, for the sake of the matter.
Sounds like Game of Thrones, no?
Jon Snow is a hero not unlike Elric. His Dire Wolf, Ghost (a “White Wolf,” Elric’s moniker – he was an albino and feared in battle.). His sword, Longclaw, although not the cosmic entity that Elric’s Stormbringer was, is still a memorable weapon in canon. Jon was a reluctant prince, the last of his lineage, to a throne who fell in love with his aunt (Daenerys)… Elric was in love with his cousin, Cymorril. Most everyone who is a companion of Jon Snow’s ends up dead. It’s the same with Elric, except for the redheaded Moonglum. And Jon has Tormund, who seems to come out of things alive? Oh – and did I mention, Elric accidentally on purpose killed the cousin he was in love with? Didn’t Jon Snow kill Daeny?
There are similarities between the actual Elric character and the Night King, as well – in appearance and magical powers (Elric was a wizard who controlled the elements and demons).
The Targarians… they are not unlike the Melniboneans, insane, fair featured, inbred, magical in some aspect and oh… who can forget their dragons? And they ruled the world for eons. Yeah, they’re evil to the core and only care about power.
The Three-Eyed Raven who travels through time… and brings to mind the multiverse that is Moorcock’s playground. This makes Brandon Stark an eternal champion… and keeper of the balance.
A diligent eye can find many more similarities between the two. Yeah. Game of Thrones was/is Moorcock for the masses. And I thank George RR Martin for making it consumable for the mainstream. Call it what you want. A Song of Ice and Fire, Game of Thrones. Or even the history of the Young Kingdoms… I love it for the same reason we love Dune… and Star Wars. Another example of how one popular franchise was inspired by a previously popular franchise, but a bit Epic Pooh, if that’s your take.